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居于中国四大木雕之首的东阳木雕,不仅以平面浮雕擅胜,更以其特有的建筑家具装饰个性见长。本文从中国寺庙修建的营造与装饰出发,通过梳理魏晋时期建筑风格,比肩皇宫建筑寺庙木雕装饰源流,探讨木雕装饰在佛教建筑中发挥的美学与宗教功能,并选取东阳木雕创作运用在现代佛教建筑中所取得的超凡效果作为典型案例,总结出东阳木雕在佛教建筑中的个性化表达必须有机融合地方文化与佛教符号,并从三方面入手进行演绎:对特定佛教文化的表达,对当地传统营造的运用,对佛教通识符号的展示。
Living in China’s four major wooden carving of the first Dongyang wood carving, not only flat embossed good, but also its unique architectural furniture decorative personality. This paper starts from the construction and decoration of the Chinese temples. By combing the architectural style of the Wei and Jin dynasties and the origins of the decorative woodcarving of temples and temples, this paper discusses the aesthetic and religious functions that woodcarving decoration plays in the Buddhist buildings. As a typical case, this paper summarizes the unique expression of Dongyang wood carvings in Buddhist architecture. It must integrate the local culture and the Buddhist symbols organically, and deduce it from three aspects: the expression of a specific Buddhist culture, the local tradition Construction of the use of Buddhist symbols of the show.