古人多有在丹青中表现“山居”这个主题,著名的有钱选的《山居图卷》、释巨然的《山居图》和黄公望的《富春山居图》等,亲近自然、寄情山水的意蕴饱蘸笔墨,浸润在纸卷之下,令人心驰神往。盆景艺术本就有模山拟水的初衷,循自然而取佳构,片石数树就可点化成为山水胜景,让人身置一室而神游大千。本期封面选用了中国盆景艺术大师李云龙的盆景《山居图》,作品如山水而苍柏高拔,似水旱而奇峰耸峙,新意独具,自成一家风范。这件作品选用双峰式布局,塑山所用石 Most of the ancients have the theme of “hillsides” in Danqing, the famous “Fortune Map” with rich money, the “mountain map” released by the magnificent and the “Fuchun Mountain Residence Map” by Huang Gongwang and so on. They are close to nature and love The meaning of landscape full of pen and ink, infiltration under the scroll, it is fascinated. Bonsai art originally had the original intention of imitating the mountain water, follow the natural and good structure, the number of stone tablets can be turned into landscape attractions, people sitting in a room and fugue. The cover of this issue uses the Chinese landscape artist Li Yunlong bonsai “mountain map” works such as landscapes and Cang Bo plume, like drought and Qifeng towering, unique new ideas, since a home style. This work uses a bimodal layout, the use of plastic stone