庄培森在写给我的手札中谈到自己的学术理念:庄而逍遥,自然为美。我觉得,他的学术理念,也是他的艺术理念。学者冯亦吾先生为庄培森写过一段话:兼擅书画博采众长,学以致用艺苑之光。这段话,是对庄培森本人和庄培森艺术生涯的概括,耐人寻味。三年前与庄培森见过面,彬彬有礼,谈吐不凡,言及艺术问题,激情洋溢。他把自己的生命与生活,建立在书画的沃土上,创作、教学,修身、养性,合而为一。庄培森是有经历的书法家,有经历,视野就不一样。文学创作强调创作主体对生活的沉入,没有生活的作家,很难写出深情、深厚的作品。书法创作有自己 Zhuang Peisen talked about his academic philosophy in his hand-written letter to me: Zhuang and Happy, naturally beautiful. I think his academic philosophy is also his artistic philosophy. Mr. Feng Yiguo, a scholar, wrote a passage for Zhuang Peisen: He is good at painting and calligraphy and drawing lessons from others. This passage is a summary of the artistic career of Zhuang Peisen himself and Zhuang Peisen, thought-provoking. Three years ago met with Zhuang Peisen, polite, extraordinary conversation, talked about art issues, passionate. He put his life and life, based on the fertile land of calligraphy and painting, creation, teaching, self-cultivation, nourishment, into one. Zhuang Peisen is an experienced calligrapher, experience, vision is not the same. Literary creation emphasizes the main body of the writer’s life immersion, no life writer, it is difficult to write affectionate, deep works. Calligraphy has its own