“脚尖点地,调整重心,抬头收腹。”那时,那个我一度恨之入骨的舞蹈老师总是站在我身后这样严厉地提醒我。她不断调整我的站姿,想让我站的像她手里磨得发亮的小木棍一样直,我咬牙坚持着。那是我第一次穿上足尖鞋,当我学着舞台上芭蕾舞演员优雅地踮起脚尖时,我能感受到的只有脚尖和脚踝的疼痛。那一刻,我才知道,每一个芭蕾舞演员在台上的每一秒钟都是她们用汗水和疼痛雕刻的艺术品。当辽宁省芭蕾舞团走上学校艺术中心的舞台的时候,我已经几年没有穿过足尖鞋了。但是当台上灯光全部亮起时,我依然清晰地回忆起那些 “At the tiptoe, adjust the center of gravity, looked up and abdomen. ” At that time, I once hate the dance teacher always stood behind me so severely reminded me. She constantly adjusts my stance, trying to keep me standing as straight as the shiny little stick in her hand, and I hold my teeth. That was the first time I put on pointe shoes, and when I learned that the ballerina was tiptoe gracefully on stage, I could only feel the toe and ankle pain. At that moment, I learned that every second of every ballerina on the stage was an artwork they carved with sweat and pain. When Liaoning Provincial Ballet embarked on the stage of the school’s arts center, I had not worn pointe shoes for years. However, when the stage lighting all light, I still clearly recall those