论文部分内容阅读
天然大漆具有得天独厚的包容性,漆艺术的当代性探索与文化自觉需要大胸怀,需要人类情感的大关怀。“漆的今天·福建省美术馆馆藏漆艺新生代作品展”集中地展现了当代青年漆艺家的审美观照方式以及他们感受社会的深度与广度。这些作品有的回溯经典,以尚古的姿态看待中国传统漆艺,续写东方式“品物”的审美价值;有的将漆材料视作一种媒介,在时尚、前卫的审美追求引导下表达出极致的设计感。还有的将“漆”去掉物质载体后,作为一个核心进行精神性地提纯。毫无疑问,他们对于漆艺的实验性探索,更彰显出中国当代文化建设自主性的价值与意义,他们续写的是属于他们自己的艺术史篇章。
Natural lacquer has unique inclusiveness, contemporary art of paint exploration and cultural self-awareness need to be big-minded, need a big heart of human emotions. “Today’s Painted Painting Exhibition of New and Contemporary Chinese Paintings from the Fujian Provincial Art Museum” showcases the aesthetic approach of contemporary young painters and their depth and breadth of social experience. Some of these works have been traced back to the classical style, taking traditional Chinese lacquer art in an antiquity attitude and continuing to write the aesthetic value of the eastern style of “goods.” Some regard the lacquer material as a medium, guided by the fashion and avant-garde aesthetic pursuit Express the ultimate sense of design. Others will “paint” to remove the material carrier, as a core mental purification. There is no doubt that their experimental exploration of lacquer art further highlights the value and significance of the autonomy in the construction of contemporary Chinese culture. What they continue to write is their own chapter of art history.