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在接受美学越来越受到重视的今天,“读者中心论”被给予了肯定,当我们再来审视抑或评价一件艺术作品时,更多倾向于从读者的接受程度来衡量其价值大小,从而也拓宽了艺术接受的内涵,将消费者在艺术创作中的主体地位及其主动性凸显了出来。消费者对艺术作品作出怎样的反应,完全来源于其积淀已久的民俗心理,于是流传了千百年的传统叙事模式与现代电影电视的艺术接受依旧有着亘古不变的紧密联系。
Nowadays, more and more attention is paid to reception aesthetics, “Reader Center Theory” is affirmed. When we review or evaluate a work of art, we tend to measure the value of readers’ acceptance. Thus broadening the connotation of artistic acceptance and highlighting the dominant position and initiative of consumers in artistic creation. How consumers respond to works of art is entirely due to their long-established folk psychology. As a result, the traditional narrative mode of thousands of years has been closely linked with the artistic acceptance of modern film and television.