吴昌硕(1844-1927),清末民初画家、书法家、篆刻家,浙江安吉人。初名俊,后改名俊卿,字昌硕,亦署仓石、仓硕,号缶庐、苦铁、大聋等。吴昌硕自谓“三十学诗,五十始学画”。吴昌硕学画虽晚,但其在诗文、金石、书法等方面的造诣构成其绘画艺术的底蕴,将诗书画印熔为一炉。起大写意花卉,注意气势,不为物象所拘,一任主观抒写,画面呈现出石鼓文大气磅礴的气息, Wuchang Shuo (1844-1927), Late Qing Dynasty Early Republican painter, calligrapher, seal cutting, Zhejiang Anji. The name of the early Jun, after the renamed Junqing, the word Chang Shuo, also Department storehouse stone, warehouse Shuo, No. Tan House, bitter iron, deaf and so on. Wu Changshuo self-proclaimed “thirty school poems, fifty school study painting ”. Although Wu Changshuo studied painting lately, his accomplishments in poetry, gems and calligraphy constituted the essence of his painting art and printed poetry and calligraphy as a furnace. From the freehand flower, pay attention to the momentum, not for the image of the arrest, a subjective expression, the picture presents a breathtaking breath of stone drum,