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写生需要你走出来,亲近大自然。你看到的每一种美,都会让你产生不一样的情绪和情感,从而让我们对大自然心生敬畏。当大自然经过手中的画笔以理想化的姿态凝固在纸上,这就是具有生命的温度的艺术。《艺术沙龙》:怎样理解中国画的传承与创新?关于时代性,你有什么看法?翟明帅:传承与创新是相辅相成又对立统一的,创新指向当前,是点性的;传承指向历史,是线性的。以青绿山水画为例.我们可以梳理出青绿山水画传承的清晰脉络,也可以探寻到不同时代的画家在这条传承的脉络中迸发出的创新的火花。从中国现存最早的山水画作品隋代展子虔的《游春图》到唐代李思训、李昭道,再到之后的王希孟、饯选、仇英、文徽明、张大干等人的青绿山水画.承衔有序,风格鲜明,勾勒出青绿山水画发展的
Sketching requires you to come out and be close to nature. Every kind of beauty you see makes you have different emotions and emotions, so that we can have awe and reverence for nature. When nature passes the brushes in its hands and solidifies on the paper in an idealized attitude, this is the art of living temperature. Art Salon: How to Understand the Inheritance and Innovation of Chinese Painting? What is your view on the age? Zhai Mingshui: Inheritance and innovation are complementary and opposites. Innovation points to the present and is point. Inheritance points to history and is linear. . Taking Qingreen Landscape for example, we can sort out the clear context of the inheritance of green landscape paintings and explore the sparks of innovation sparked by painters of different ages in this context. From the first Spring Paintings of Sui Dynasty, the most extant landscape paintings in China, to the Qing Dynasty landscape paintings by Li Si-xun and Li Zhaodao in the Tang Dynasty and Wang Xi-meng, Cui Xuan, Qiu Ying, Wen Hui-ming and Zhang Dagan in the Tang Dynasty Preface, distinctive style, outline the development of green landscape painting