小说作为一种独特的话语方式形成独特的内在结构,从内容上蕴含着丰富的思想,内在的意蕴无论指向社会还是指向人性或者指向命运,都具有弹性的解读,而小说结构是丰富内在意蕴的组织形式,作为一种框架式的骨骼成为小说得以成文的基础。本文主要是以茅盾的“农村三部曲”为出发点,分析在这三部小说中所蕴含的人物结构和情节设置以及节奏把握。 As a unique discourse, fiction forms a unique internal structure and contains rich thoughts from the content. The inner meaning of the fiction is flexible to both society and humanity or to destiny. Fictional structure is rich in intrinsic meaning Organizational form, as a framework of skeletons, is the basis for the novel to be written. This article is mainly based on Mao Dun ’s “Trilogy of the Countryside ” as the starting point, analyzing the character structure and plot arrangement and the rhythm grasp in these three novels.