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清代戏曲序跋的繁荣昌盛,在戏曲理论发展史上有着举足轻重的作用,它代表着古典戏曲理论逐步趋于成熟。清代戏曲序跋中涵盖众多的理论内容,包括创作论、艺术论、搬演论、批评论、曲律论、动机论、接受论等,对于清代戏曲序跋中所体现的戏曲搬演论,虽然数量不多又相对零散,但经过梳理和分析,依然能够从中深一步的了解其意义所在。
The prosperity and prosperity of drama prefaces and poststers plays an important role in the history of opera theory. It represents the gradual maturity of classical opera theory. The prefaces and postscripts of the Qing Dynasty drama cover a large number of theoretical content, including creation theory, art theory, moving theory, criticism theory, melody theory, motivation theory, acceptance theory, etc., Not much and relatively fragmented, but after sorting and analysis, still be able to learn from deep understanding of its significance.