出生于20世纪70年代中后期的罗威,一如同代人那样,对社会性、历史性和政治性问题的关注,远没有对自身处境和切身经验强烈。这种对过往外在知识的隔膜,意味着建立在宏大叙事基础上的社会历史难以成为青年一代艺术家的创作对象和主题。相反地,从目光所及的日常经验出发,于些小精微甚至于琐碎平凡之处入手,反倒显得现实而且直接。与其说,这是过往艺术中的历史观和社会观在青年一代身上的断落或缺失,毋宁说,这是 Lowe, who was born in the mid-to-late 1970s, just as his generation did, paid no heed to social, historical and political issues far beyond their own circumstances and personal experience. This kind of separation of knowledge from the past means that the social history based on the grand narrative can hardly become the creative object and theme of the younger generation of artists. On the contrary, starting from the daily experience given by the gaze, it is realistic and straightforward to start small and even trivial. This is not so much the broken down or missing of the younger generation in the past as the concept of history and society in the arts. Rather, it is