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京剧大师张君秋先生的京二胡琴师张似云先生,其艺术成就之深厚为业内人士所共识。作为先生的学生,拟就几十年来追随先生学琴的所闻、所见、所感,简介先生的从艺之路并谈谈对先生艺术成就的一些肤浅认识。张派旦角声腔艺术,自上世纪50年代初开始,是由君秋先生的演唱艺术、何顺信先生的京胡演奏艺术及张似云先生的京二胡演奏艺术三者组成的。正如君秋先生在顺信先生的琴谱序言中所说的,“我们两个人以及我的二胡琴师张似云的艺术,可以说是共同起步、共同积累,在这个基础上,我们共同开始创新的探索”。
Beijing Opera master Mr. Zhang Junqiu’s erhu erhu Mr. Zhang Xiyun, the profound artistic achievement for the industry consensus. As a student of Mr., he is going to follow Mr. Lu’s lessons, feelings, feelings and briefings that Mr. Hugh learned for several decades and to introduce Mr. Suffer’s art and talk about his superficial understanding of Mr.Wang’s artistic achievements. Zhangdian dialect art, since the early 1950s, is composed of Mr. Jun Qiu’s singing art, Mr. He Shunxin’s performance art of Jinghu, and Mr. Zhang Jiyun’s performance art of Beijing Erhu. As Mr. Jun Qiu said in the preface of Mr. Shun’s piano score, “The art of Zhang Weiyun, both of us and my erhu, can be said to be a common start and a common accumulation. On this basis, we jointly start innovating Exploring ”.