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什邡画像和襄樊陶楼,虽然向来被认为是楼阁式佛塔的早期实例,但就目前而言,尚没有明确的基于建筑自身的证据作为支撑,因而不能判读为佛塔。这些图像表现的都是汉武帝以来基于“神仙好楼居”的墓葬明器。汉武帝、魏明帝、笮融三人都营建了宏大的建筑群,中有多层承露盘,套镶在立柱上端。什邡画像和陶楼,将立柱承露盘移至屋顶之上。浙江越墓铜屋模型表现屋脊立柱,柱顶栖息凤鸟,汉武帝建章宫凤阙沿用了这一思路。襄樊陶楼将立柱承露盘与立柱凤鸟组合起来,与什邡画像同样,都体现了神仙方术意义。中国楼阁式佛塔应该来源于汉代高楼。同时期的印度流行桑奇大塔那样的覆钵式窣堵波,除个别特例外,覆钵顶上都只有单层相轮,无法建构印度窣堵波与汉末高楼之间的联系。印度西北犍陀罗地区有些多层相轮伞奉献塔,其时代应该晚于汉代,不能视为什邡画像和襄樊陶楼的原型。
Although Shifang portraits and Xiangfan terraces, although they have long been regarded as early examples of pagodas, no concrete evidence based on the buildings themselves has so far been supported and therefore can not be interpreted as pagodas. These images are all based on the burial creations of the “Gods Good House” since the Han Emperor Wu. Han Emperor Wu, Wei Mingdi, Rong financial three built a huge buildings, there are multi-layer bearing plate, set inlaid at the top of the column. Shifang portraits and Tao Lou, the column bearing plate will be moved above the roof. Zhejiang tomb copper house model roof ridge column, column top perching phoenix bird, Han Emperor Wu Jian Zhang Gong Que follow this line of thinking. Xiangfan Tao Tower column will reveal the plate and columns Pochard combination, and Shifang portrait the same, all reflect the meaning of immortal alchemy. Chinese pagoda pagoda should come from the Han Dynasty high-rise. In the same period, the prevailing Indian colloquium Sandwich Tower blocked the waves, except for a few exceptions. The top of the bowl had only single-phase wheels and failed to establish the connection between the Indian wave and the tall buildings in the late Han Dynasty. In the Gandhara region of northwestern India, there are some multi-layered umbrellas dedicated to towers, which should be later than the Han dynasty and can not be regarded as the prototypes of Shifang portraits and the Xiangfan terraces.