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马致远的《天净沙·秋思》,短短的五句话,十个意象,带给人凄怆辽远的感受!因为在这些意象中存在有一种统一的感情基调。黄昏在时空上的延展是无边无垠的,而诗人只是在广阔的黄昏之景中剪取了一方最能体现他此时心境的景色。诗人的文学创造虽然有感性的参与,但并不是单纯由感性生发的,而是积淀着理性的内容。人们对“黄昏”意象的运用,起于人类对黄昏景象的诗意情感关系,最终形成的艺术作品,达到了人的本质力量对象化的效果,成为人的本质力量的确证。
Ma Zhiyuan’s “Tianjing Sha · Autumn Thoughts”, a short five sentences, ten images, bring people sad distant feeling! Because in these images there is a unified emotional tone. The dusk spreads in time and space are immense, and the poets just cut out one of the most beautiful views of the dusk in the vast twilight scene. Although poet literary creation has emotional participation, it is not merely a matter of sensuality, but a rational content. People’s use of the image of “Dusk” starts from the poetic relationship between human beings and the dusk scene. The resulting artistic work achieves the effect of objectifying the essential forces of man and confirms the essence of human beings.