论文部分内容阅读
在文人画为正统根源的传统水墨艺术中,我们惯常地认为墨色即所有色彩的表现方式,并极力推崇这样充满哲学思辨的审美趣味。而当文人画传统逐渐没有生存的土壤之时,“墨分五色”的审美趣味也不得不随时代而有所变迁。总的来说,这种审美趣味的变化正经历一场“限制与自由”的博弈,这场博弈发生在“色彩”材料中、观念意识里以及价值判断上,最终形成了保守与激进,古典与先锋并存的当代水墨现状。
In the traditional ink and wash art where the literati painting is the orthodox source, we often consider the ink color as the expression of all colors and strongly advocate aesthetic taste full of philosophical thinking. However, when the literati painting tradition gradually did not exist in the soil, the aesthetic taste of “ink and color” also had to change with the times. In general, this change of aesthetic taste is experiencing a game of “restriction and freedom”. The game takes place in the “color” material, the sense of concept and the judgment of value, which finally forms a conservative Contemporary Ink and Wash with Radical, Classical and Vanguard.