周芳的《重症监护室》是作为优秀的“非虚构”长篇作品被介绍的,尽管从阅读感受和社会评价来衡量,关于“优秀”的价值判断没有悬念地形成共识,而“非虚构”的归类和定义则不是毫无争议地被接受——如同近两年来国内文学界有意推动的“非虚构”写作因概念中的含混之处和写作实践中的模糊边界而引发讨论一样,“非虚构”写作是否真能以绝对排除“虚构”的写作方式书写纯粹的真实成为受关注的问题之一。不过,今天复杂多变的社会环境 Zhou Fang’s “intensive care unit” was introduced as an excellent “non-fictional” lengthy work, and though there is no suspense consensus on the value judgments of “goodness” as measured by the reading experience and social assessment The categorization and definition of “non-fictional” are not uncontestedly accepted - as the “non-fictional” writing deliberately promoted by the domestic literary community in the past two years has been confused by conceptual ambiguities and writing practices As with fuzzy boundaries, whether “non-fictional” writing can really write off purely true writing as “exclusive” writing becomes one of the issues of concern. However, today’s complex and ever-changing social environment