19世纪和20世纪之交的俄国绘画就像它国内的政治形式一样变幻莫测,跌宕起伏。自20世纪90年代巡回展览派表现出衰落的迹象开始,就出现了一批急于为巡回派绘画掘墓的年轻艺术家。他们嗅觉灵敏,思维敏捷,对新的社会精神有着深刻的洞察力。在列宾等老一代画家面对新旧交替的艺术世界为作出抉择而倍感痛苦时,他们早就对巡回展览派后期绘画的逐渐沉沦表示不满而急切地尝试用新的方法表现新的 Russian paintings at the turn of the 19th and 20th centuries are just as unpredictable and ups and downs as the domestic political forms. Beginning with the signs of decline in the roving exhibitions of the 1990s, there emerged a group of young artists eager to dig graffiti for Circuitists. They are sensitive, quick-witted and have profound insight into the new social spirit. When the older generation of artists such as Repin were pained in the face of the changing world of art to make choices, they had long expressed dissatisfaction with the gradual degradation of roving exhibitions and eagerly attempting to demonstrate new ways of using new methods