不是所有拿毛笔的都是书家,我认为最好的书法,总有着很深的人生烙印,那里渗透着的是人生感怀,如果书法写得端着架子,无人格修养,无个性特质,毫无生气,如印刷如美术字,没有一点审美的张力,中规中矩,实实在在,那不是书法的至高境界。那也是谢孔宾先生所不屑为不愿为的。谢先生在丁亥年冬日曾为我写过一个册页《二十四诗品》,我曾想以自己的理解把《二十四诗品》诠释一下,然后附上谢先生的书法出版。谢先生的书法,给人的视觉冲击,是他的结构与线条的挥发布局,他是从传统来的, Not all brush calligraphists are calligraphers, I think the best calligraphy, there is always a deep mark of life, there is permeated with the sense of life, if the calligraphy is written shelves, no personality training, no personality traits Lifeless, such as printing, such as artistic words, without any aesthetic tension, quite satisfactory, real, it is not the highest level of calligraphy. That is also Mr. Xie Kongbin disdainful as unwilling. In the winter of Dinghai, Mr. Xie once wrote a album of “Twenty-Four Poems and Articles”. I wanted to explain “Twenty-Four Poems and Articles” with my own understanding, and then I attached Mr. Xie’s calligraphy and publication. Mr. Xie’s calligraphy, giving the visual impact, is the volatile layout of his structure and lines, he is from the tradition,