中国戏曲作为独特的戏剧体系被世界剧坛所认可,同时也为20世纪的世界戏剧产生了重要的影响。那么中国戏曲是怎样与观众相互沟通而达到对艺术作品的认知呢?阿甲先生在《浅谈京戏艺术的基本特点及其相互关系——为研究现代京系的改革》一文中曾指出:斯坦尼斯拉夫斯基的“第四堵墙”虽然说隔断了观众与演员的理智和思维能力,要求演员沉溺于“体验”之中;而布莱希特的“间离”效果,又是要演员与观众用冷静的态度来叙 Chinese opera as a unique theater system is recognized by the world’s theater, but also for the 20th century world drama had a significant impact. How did Chinese opera communicate with the audience to achieve the recognition of works of art? Mr. A Jia pointed out in his article “Basic Characteristics of Peking Opera and Its Interrelationships - For the Study of the Reform of Modern Beijing” Stanislavsky’s “The Fourth Wall,” although cut off the audience and actor’s ability of thinking and thinking, requires the actor to indulge in “experience” among the; Brecht’s "Effect, but also to actor and audience with a calm attitude to Syria