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我在没骨画方面的研究源于十年前的春天。当时,我到西双版纳写生,在写生的过程中,我被南国的花木所吸引,进而震慑住了:那瓷玫瑰、叶子梅、海竽等数不清的热带植物上硕大的叶片、劲挺的枝条、花朵和果实可谓是色彩绚烂、灿若朝霞。这对我而言。完全是一个陌生而又新鲜的世界。特别是那光影下的丰富色彩,令人陶醉痴迷。我感到原先自己所认同的写意概念和掌握的技法都难以表现出眼前场景在色彩方面的特点。突然间.恽南田
My research on boneless painting stems from the spring of ten years ago. At that time, I went to Xishuangbanna to write a sketchbook. During the sketching, I was attracted by the flowers of the Southland, and then she was shocked: huge porcelain leaves, strong leaves, Branches, flowers and fruits can be described as brilliant colors, Canruo rosy. This is for me. Completely a strange and fresh world. Especially the rich colors under the light and shadow, fascinating obsession. I feel it is hard to show the color characteristics of the scene beforehand. Suddenly