在文学、绘画、音乐艺术作品中审美意象涵盖着“描述、抒情与象征”三大功能。本文试图以法国作曲家德彪西的钢琴意象曲集中的“向拉莫致敬”作品为例,对二十世纪初“音乐意象与抒情”的现象作一个探究,对该时期音乐意象与抒情的范式形成,透视印象派音乐的意象与抒情的创作手法与特征,并通过个别作品案例分析与传统音乐的抒情方式对比,探究构筑一个新时期音乐美学范本的过程。 Aesthetic images in the works of literature, painting and music cover the three functions of “description, lyricism and symbolism”. This paper tries to explore the phenomenon of “musical image and lyricism” in the early twentieth century through the example of “Salute Ramo” in the poem of Debussy of the French composer, Through the paradigm of imagery and lyricism, this article tries to explore the methods and characteristics of impressionism and lyrical creation of impressionist music, and through the case analysis of individual works and the lyrical way of traditional music, explores the process of constructing a new model of music aesthetics.