在一次创作会上,有位青年作者提出个问题:“生活既是文艺创作的唯一源泉,我整天泡在生活里,为什么却写不出东西来呢?”这的确是个值得探讨的问题,但要得到圆满的回答却不容易。因为“写不出东西来”的因素颇多,诸如生活根底是否厚实,阅历是否广博,思想与艺术修养是否深厚,观察和积累生活是否得法,创作准备是否充足,等等。因而即使“整天泡在生活里”,也未必就一定能“写出东西来”。问题要看在生活里如何“泡法”。不过,这位作者所提的问题,却值得思索。我忽然想起唐代两位大画家李思训和吴道子画大同殿的趣事来,也许有助于诠释上述问题。据传,唐玄宗李隆基曾召其宗室李思训画大同 At a creative meeting, a young author asked the question: “Life is both the only source of literary and artistic creation. I am immersed in my life all day, but why can not I write anything?” This is indeed a question worth exploring. However, It is not easy to get a satisfactory answer. Because there are many factors that can not be said, such as whether the foundation of life is rich, whether there is ample experience, whether there is deep thought and artistic accomplishment, whether the observation and accumulation of life are adequate, and whether the preparations for creation are adequate or not. Therefore, even if “all day life in the bubble,” it may not be able to “write something.” The problem depends on how to “bubble method” in life. However, the author’s question, but worth considering. I suddenly remembered the interesting stories of the two great painters Li Si-nien and Wu Dao-zi in drawing the hall of the same name in the Tang Dynasty, which may help explain the above problems. According to legend, Li Xuanzong Li Xuanzong had called his case Li Si training Datong