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4月27日至7月26日,南京博物院举办“江左流韵:明代吴门书法特展”、“江南风华:明代吴门绘画特展”两个大展,精选的院藏130件书画作品几乎涵括半部明代书画史。“吴门书派”的出现,并不是一个偶然现象,当是苏州政治、经济、文化发展的必然产物,有着深刻的时代背景。吴门绘画在绘画技法上取得了一系列的新突破,沈周的减笔写意、陈淳的大写意花鸟画的出
From April 27 to July 26, Nanjing Museum held two exhibitions: “Jiang Zuo Yun Yun: Ming Calligraphy Exhibition of Wu Men”, “Jiangnan Fenghua: Ming Wu Exhibition of Paintings” The collection of 130 pieces of calligraphy and painting in the courtyard covers almost half of the history of calligraphy and painting in the Ming Dynasty. The appearance of “Wu Men School” is not an accidental phenomenon. It is a necessary product of the political, economic and cultural development of Suzhou and has a profound background in the times. Wu painting in painting techniques has made a series of new breakthroughs, Shen Zhou’s stroke freehand brushwork, Chen Chun’s freehand brushwork