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本人通过从“认识何为手卷与册页,了解其观赏方式;美术馆的作品呈现方式与人的关系”两个方面探析“观”展览,从而引发尝鲜与具有真正的价值的本质区别的思索:我们所建构的这种方式与惯常美术馆的空间分配、氛围营造以及欣赏方式的区别是否真正有利于观者对作品的理解,则是判定其价值的关键。“观”对中国艺术传统欣赏方式的回归实质上是对中国艺术精神与审美理念的回归。从在美术馆平台可实施性的实验到常规化的过程,是美术馆对展现中国本土艺术精髓的实践性推展。从而在全面、深入地研究中国艺术的创作、呈现、观看、传播等方面问题的基础上,是否有可能逐步建构具有中国艺术特色的、自成体系的中国的美术馆展示方式,成为这一实验引发的深层问题。
I personally understand the style of appreciation and appreciation of the way of appreciation from the hand-scroll and the album, and the relationship between the ways of presenting the works and the human beings in the museum. Difference Thinking: Whether the difference between the way we construct and the usual art museum’s space allocation, atmosphere creation and appreciation way really helps the viewer’s understanding of the works is the key to judge the value. “View ” The return of traditional Chinese art appreciation is essentially a return to the Chinese artistic spirit and aesthetic ideas. From the experiments that can be implemented on the platform of the art museum to the process of normalization, it is a practical promotion of the art museum to show the essence of Chinese local art. Based on the comprehensive and in-depth study of the creation, presentation, viewing and dissemination of Chinese art, it is possible to gradually construct a self-contained gallery of Chinese art galleries with Chinese artistic characteristics. Deep-rooted problems.