《百苗图》是源自陈浩《八十二种苗图并说》系列抄本的总称,是近代贵州一部珍贵的民族志。从音乐图像学与苗族民族文化特色相结合的视角切入,研究《百苗图》中图像与文本记载的有关苗族传统音乐文化中的乐器、乐器材质与形制、乐舞表演形式,可为苗族的传统音乐文化传承提供一些实证性的研究资料。 “Baimiao map” is derived from Chen Hao, “Eighty-two kinds of seedlings map and said,” a series of transcripts of the general term, is a precious modern ethnography in Guizhou. From the perspective of the combination of musical imageology and Miao nationality culture, this paper studies the Miao traditional musical culture which is recorded in images and texts of “Miaomiao map”. The material and shape of musical instruments, music and dance performances can be traced to Miao tradition Music and cultural heritage to provide some empirical research data.