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作为历代忠节之土的代表,“遗民”(改朝换代后不仕新朝的人)每在易代之际都是一个强烈的符号,影响到历史文化的发展。明清鼎革之际,大批具有“故国情怀”的遗民选择归隐,或隐于朝,或隐于市,或隐于野,以诗词绘画遣兴,这却从另一方面成就为推动历史的大家。著名的“四王”之王时敏、王鉴,“四僧”八大、髡残,金陵派代表龚贤,常州派代表恽寿平,“南陈北崔”之陈洪绶、崔子忠,“新安四家”的查士标、弘仁,“画中九友”的杨
As the representative of the loyal territory of the ages, each of the “left-behind” people (those who changed their regime after the change of regimes) was a strong symbol on the occasion of the passage of time and affected the development of history and culture. On the occasion of the Ming-Qing Dynasties, a large number of the descendants who had “the homeland sentiment” chose to be hidden or hidden in or hidden in the city, Everyone in history. The famous “King of the Four Kings” when the king, Wang Jian, “Four monks,” the eight, disability, Jinling on behalf of Gong Xian, Changzhou sent representatives 恽 Shouping, “South Chen Bei Cui,” Chen Hongshou, Cui Zizhong, “Xin’an four ” Charles check mark, Hong Ren, “painting nine friends ” Yang