花是春天的象征,并在世间象征着纯洁温馨与健康。花也是文人骚客们所常常赞美的。 并且,花总是被画家们所喜爱。在中国古代的卷轴画上面,画家们经常绘制牡丹和紫藤,其颜色自然而富有生命力。工艺师们也常常把小巧玲珑而又美丽的花做为题材加工做成观赏品,来装饰生活环境。在西方,波洛依盖里(1568——1625)的油画作品《丝绒般的花》被认为是一位以花为素材的静物画的创始人。这张画收藏在荷兰。特别是经过了几个世纪以后,许多画家还运用这种类型的静物写生,留下了许许多多的传世精典之作。当时画家们就已经认识到:花既可以尽情地表现出复杂而富哲理的意味,又能表达出忧伤、快乐或者朝气蓬勃。 后来画家们描绘的花,成为画家本人对生活、对人生、对自然的认识及其态度的展示,因为在发现和揭示朴实、真情等美质因素方面也可以说,花给画家们许多的启示。当然,如果画家想了解并分析花的结构,应该付出大量的劳动,象研究人的内心感情 Flower is a symbol of spring, and in the world a symbol of pure warmth and health. Flowers are also often praised by literati poets. And, flowers are always loved by painters. In ancient Chinese scroll paintings, painters often painted peonies and wisteria, their colors were natural and full of vitality. Craftsmen also often small and exquisite and beautiful flowers as the subject of processing made of ornamental products, to decorate the living environment. In the West, the oil painting “Velvet Flower” by Polo Guei (1568--1625) is considered the founder of a flower-based still life. This painting is held in Netherlands. Especially after a few centuries, many painters still use this type of still life, leaving a lot of handed down classic. At that time, painters had realized that flowers could not only enjoy the complex and rich philosophical meanings, but also express sadness, joy or vitality. Later, the flowers painted by the painters became the artist’s own demonstration of life, understanding of life and nature, and his attitude toward the painters, as it can be said in terms of discovering and revealing aesthetic factors such as simplicity and truth. . Of course, if painters want to understand and analyze the structure of flowers, they should pay a lot of labor, like studying people’s inner feelings