我们正经历着从未经历过的社会与文化转型的历史变革,陶艺与其他当代艺术一起被置入到新的历史语境中。在本土——世界、自我——他者、东方——西方、中心——边缘、传统——现代复杂的二项对立与互融中开始了自身地重建。 现代陶艺同其他的表现艺术一样向人类展示了一种新的精神结构,观者借此可以对艺术产生新的诠释。材料的原料、真实面貌,显示出自然现象的神奇与多变,莫过于陶艺家透过这些材料的原始面貌叙述出自己对材料的诠释,及自己与材料之间可及不可及的部 We are experiencing an unprecedented historical transformation of social and cultural transformation. Pottery and other contemporary art are put into a new historical context. It has begun to rebuild itself in the complex and complex dualism of the modern world, the world, the ego-the other, the East-West, the center-the periphery, and the tradition. Modern pottery, like other performance arts, presents humans with a new spiritual structure by which viewers can create new interpretations of art. Materials raw materials, the real face, showing the magical and changeable natural phenomenon, than the original appearance of these materials, ceramic artists narrated their own interpretation of the material, and their own reach with the Ministry of Materials