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文人篆刻历经元代赵孟頫、吾丘衍、王冕的推动,到了明代中晚期文彭、何震的宣弘,文人篆刻才开始真正大行于世,由此,明代的篆刻及其后来的清代篆刻构成了印学史的第二座高峰。文人篆刻兴起除了沙孟海在《印学史》中谈到的石质印材的改变外,尚有诸多因素的同时推动,方能有此蔚蔚之景。文人篆刻实现了由印人、工匠身份意识的转变,篆书的兴盛与对古印玺的收藏等也同样对文人篆刻兴起起到了很大的作用,这些因素从客观上刺激了篆刻的参与的人数及普及的范围。
The literati carving was promoted by Zhao Mengfu, Wu Qiuyan and Wang Mian in the Yuan Dynasty. By the time of Wen Peng and He Zhen in the middle and late Ming Dynasty, the seal cutting of the literati began to make a real appearance. Thus, the carving of the Ming Dynasty and its subsequent Qing Dynasty Seal carving constitutes the second peak of Indian history. The rise of the literary seal In addition to Sha Menghai in the “History of Indian School,” talked about the change of stone material, there are many factors at the same time to promote, in order to have this Wei Wei King. The literati carving realized the change from the identity consciousness of the Indian and the craftsman. The flourishing of the seal script and the collection of the ancient seal seal also played a great role in the rise of the seal engraving of the scholars. These factors objectively stimulated the participation of the seal cutting people And the popularity of the range.