如何在个人的设计中展现时代感——这是今年巴黎秋冬高级定制时装展的一大看点。设计师从个人视角出发,将品牌精神映射到精湛的华服之中,关于现代美学理念的阐述,孰高孰低,绝非资质之说可以道尽。在那一袭结构式剪裁裙装款款现身之前,在那一只蓝鞋优美地举步之前,在薄网纱之下模特抿着红唇甩动长长的直发之前,Raf Simons于Christian Dior的第一场高级时装展便是以花海道尽一切。古典巴黎巨厦富丽堂皇的五个厅房内,总共以一百万朵花妆点:墙上厚厚地铺设了白色兰花、黄洋槐、蓝色翠雀花,正是即将展示的各款华服色谱。展示动线上,七分裙随着臀波摆动,曲线毕露,为著名的束腰短款外套(Bar Jacket)和线条圆柔而甜美的短裙赋予新意,就像是短款的舞会礼服穿在窄身裤上。 How to show the sense of the times in the personal design - this is a highlight of this year’s Paris Haute Couture fashion show. From the perspective of the individual, the designer maps the brand spirit into superb Chinese clothes. The elaboration of the modern aesthetic concept is high and low, and it is absolutely not a statement of qualification. Prior to the appearance of a structured tailoring dress, Raf Simons was in Christian Dior before the thin blue gauze waggled the long straight hair under the thin mesh before the blue shoe gracefully took a walk. The first high fashion show was to do everything in the flower market. In the magnificent rooms of the classical Parisian giant buildings, a total of one million flowers and decorations are used: the white orchids, yellow yam and blue delphinium are thickly laid on the walls. . On the action line, the seven-quarter skirt oscillates with the hip waves and the curves show off, giving new meaning to the famous Bar Jacket and the soft and sweet short skirts. It’s like wearing a short ball gown. On slacks.