克孜尔、库木吐拉、克孜尔尕哈、森姆赛木等石窟遗留着大量公元4世纪～12世纪的佛教石窟壁画。龟兹石窟壁画继成佛教美术的发展,在东西方文化艺术的汇集交流中,融会升华形成了具有很大艺术成就龟兹风格壁画。龟兹壁画的价值和艺术内涵很大程度的从绘画风格技法中展现出来。对龟兹壁画风格的问题研究,德国学者科伦威德尔将龟兹风格的壁画划分为两种类型,并据此划分年代。勒考克和瓦尔 A large number of Buddhist grotto murals from the 4th to the 12th century were left in the grottoes of Kizil, Kumu Tulla, Kizil Gaha and Samsmud. Following the development of Buddhist art in the Qizi Grottoes, in the collection and exchange of Eastern and Western cultures and arts, the Kuznets Grottoes murals have become sublimated in harmony and form the Kucha style murals with great artistic achievements. The value and artistic connotation of the Frescoes in Quetzal show much from the techniques of painting style. The study of the style of the murals in the city of Kuchis, the German scholar Colin Wedel divide the Kucha style murals into two types and divide the years accordingly. Le Cork and Val