作为近年来国内诗坛颇具影响力的青年诗人之一,雷平阳始终坚持自己的写作美学,创作日渐成熟。以“云南”为书写中心,乡愁和亲人成为其诗歌创作的文化符号,其中关于父亲形象的书写更是独具特色。本文将以雷平阳诗集《山水课》为分析文本,发掘其诗歌中父亲形象的类别和特点,研究诗人如何从意象、节奏、叙事方式等方面对父亲形象进行建构,最后结合互文性的有关理论,分析父亲书写的互文性,展现雷平阳诗歌中父亲形象的独特之处。 As one of the influential young poets in the domestic poetry circles in recent years, Lei Pingyang always adheres to his own writing aesthetics and his writing has become increasingly mature. With “Yunnan ” as the writing center, nostalgia and relatives become the cultural symbols of their poetry creation, in which writing about the father’s image is even more unique. This article will take Lei Pingyang’s poetry “landscape lesson” as the analysis text to explore the types and characteristics of the father’s image in his poetry, and to study how the poet constructs his father’s image from the aspects of image, rhythm and narrative style. Finally, combining the intertextuality Theory, analyzing the intertextuality of his father’s writing and revealing the uniqueness of the father’s image in Lei Pingyang’s poems.