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日前揭晓的第16届“金鹰奖”评选结果显示,在全部60余万张观众选票中,获得优秀长篇电视剧纪录片奖的《邓小平》、《香港沧桑》《百年恩来》分获20万张、14万张、12万张选票,获得优秀短篇纪录片奖的《下岗后的故事》也获选票17万张,而在电视剧类作品中拔头筹的《水浒传》只有12万张选票。纪录片魅力何在?它何以能在与电视剧、电视文艺类节目的角逐中脱颖而出,成为中国电视艺术“新宠”?带着这一问题,记者藉“金鹰”颁奖典礼之际,在南京采访了部分专家和“金鹰”得主。
The results of the 16th “Golden Eagle Award” announced recently showed that among all the more than 600,000 votes of the audience, “Deng Xiaoping”, “Hong Kong Vicissitudes” and “Hundred Years of Encouragement,” who won excellent long documentary film awards, won 200,000 and 14 Tens of thousands, 120,000 votes, and the “Outstanding Tales” award for short documentaries won a vote of 170,000 votes. Only 120,000 votes were drafted in the Water Margin. What is the charm of the documentary? Why does it stand out in the competitions with TV shows and TV programs, becoming the “new darling” of Chinese TV art? With this question, reporters interviewed some experts in Nanjing on the occasion of the “Golden Eagle” award ceremony And “Golden Eagle” winner.