“在油画、水彩画和迎合社会低级趣味的行画的冲击下,以传统水墨为表现手法的中国山水画长期脱离一般大众的收藏视野,而成为专业收藏家的小众情趣。”多年来一直专注于用纯水墨来描画江门雕楼等岭南侨乡风土建筑人情的画家何德能,日前在接受媒体采访时如是说。“即使是学术界和商界公认的一线名家纯水墨作品,也难以打开大众市场。”广东省收藏家协会副主席何文发则坦承,在普通收藏者看来,纯水墨的山水画黑乎乎一片,挂在家庭厅堂或办公室都不够喜庆,特别是遇到那些不懂得欣赏的非专业观众,还可能遭其当众恶评。 Under the impact of oil paintings, watercolor paintings and paintings that cater to the vulgar tastes of society, Chinese landscape paintings that use traditional ink and wash as a medium of performance have long escaped the general public’s horizons and become a minority audience of professional collectors. “ He Deneng, an artist dedicated to using pure ink to describe the customs of human settlements in the hometown of Jiangnan such as Jianglou Carving House, said in a media interview recently. ”It is difficult for even the first-line pure ink works of academia and business to open the mass market.“ ”He Wenfa, vice chairman of the Guangdong Provincial Collector Association, admits that in the eyes of ordinary collectors, the landscape painting of pure ink is almost black , Hung in the family hall or office are not happy enough, especially those who encounter do not know how to appreciate the non-professional audience, may also be its public criticism.