徽戏约于明末清初由“(青)阳腔”衍生而出的声腔剧种,前身谓“徽池雅调”。这种(青)阳腔在其产地唯见于(戈)阳腔目连戏中有〈十八板〉之名实的定式,是青阳腔早期(戈)阳腔滚唱中的一种腔板。因为,滚唱一般是以鼓板助节的,初时较为严格而稳定的。至于有名无实,或出现变化,可能是后期传承中的事。如:出自传学人的某一方口耳之误,或是由于弋(高)腔系统诸腔本属“随乡入俗”的民间歌唱,可“改调歌之”、“自由入曲”的随意性,一时难以心习。因而, Emblems about in the late Ming and early Qing Dynasty by the “(blue) Yang cavity” derived from the acoustical opera, formerly known as “Hui Chi elegant tune.” This (green) Yang cavity in its origin can not be found in (Ge) Yang Zhaomeng opera << 18 boards >> the name of the real format is the early Qingyang cavity board. Because singing is generally drum plate to help the festival, the beginning of more stringent and stable. As the nameless, or changes, may be the late heritage. Such as: from one side of the practitioner mistakes, or because of the Yi (high) cavity system of the cavity is “folk with the country folk” singing, “change song”, “free into the song” The randomness, sometimes hard to learn. thus,