论文部分内容阅读
王蒙的《神鸟》是一则关于现代艺术的深刻寓言。它以荒诞、离奇的笔法,以象征、隐喻的形式,诉说现代文明的内在荒谬:我们需要“神鸟”却又迫害“神鸟”的悖论。“神鸟”就是艺术“神圣”与天才“灵感”的隐喻。艺术家之死与神鸟之死的合而为一,隐喻了现代艺术被技术主义与功利主义遮蔽的沉沦,隐喻了现代艺术因原真生命遮蔽而致灵肉分离的“痛苦”。孟迪对“神鸟”的寻找,实际是对艺术神圣性的追寻。死亡同时意味着复活,“鸟”的死亡唤醒了浸没在世俗颂歌中的艺术家的复活,艺术家的死亡唤醒了被世俗遮蔽的艺术精神的复活。
Wang Meng’s “Bird of God” is a profound allegory on modern art. It tells the absurdity of modern civilization in the absurd and bizarre way, symbolically and metaphorically: we need the paradox of “god bird” but persecuting “god bird.” “Bird of God ” is the metaphor of art “sacred ” and genius “inspiration ”. The artist’s death combined with the death of the god bird is a metaphor for the sinking of modern art by technicalism and utilitarianism, which metaphorically describes the “painfulness” of separation of soul and soul in modern art because of its original life. Mengdi’s search for “Bird of God” is actually a search for the sacredness of art. Death at the same time means resurrection. The death of Bird awakens the resurrection of artists immersed in the secular carols. The death of the artist awakens the resurrection of the secular art spirit.