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中国画也是很讲究色彩的,从西汉楚墓中的T型帛画,到唐宋人物画和青绿山水,色彩对于造型及形式美的构成,都起到了重要作用,所谓中国画只重水墨不重色彩的观点是片面的。唐宋绘画的绢本质地带有暖黄色调,高贵而典雅。王菊生将这种色调作为其工笔花鸟画的基本底色,增加了作品高古而富贵的品味。同时他还有意弱化色彩的鲜度和纯度。大量使用暖灰色,使画中色彩暖而不燥、艳而不俗,使色彩丰富多样,又能和谐统一。其作品色彩有如惠风和畅,苒苒在衣,形成其温馨可掬、古雅平和的审美特征。
Chinese painting is also very particular about color. From the T-shaped silk painting in the tombs of the Western Han Dynasty to the portraits of the Tang and Song Dynasties and the landscape of the green mountains, the colors play an important role in shaping and forming the beauty of the forms. One-sided. The essence of silk in Tang and Song dynasties is warm yellow, elegant and elegant. Wang Jusheng this color as the basic background of his meticulous flower and bird painting, an increase of the works of ancient and wealthy taste. At the same time, he also intends to weaken the freshness and purity of color. Large use of warm gray, warm colors in the picture without drying, colorful and impressive, rich and diverse colors, but also harmony and unity. Its works are like the color of the wind and smooth, 苒 苒 in the clothing, forming its warm, elegant and peaceful aesthetic characteristics.