以西泠八家为代表的浙派篆刻,经几代印人前赴后继的努力,成了清朝乾隆至咸丰百余年间最大的印学流派。浙派篆刻的兴盛有其深刻的历史原因,一方面它是清朝学术思潮影响的结果,当时研经重汉学,金石重汉碑,小学重《说文》,辞章重汉魏,书法重汉隶,篆刻重汉印。浙派印风强调宗法汉印、注重以汉魏分隶入印,正是顺应这种乾嘉汉学思潮的产物。另一方面,浙派篆刻的发展,也赖特定的历史机缘。丁敬、黄易、蒋仁、奚冈四人在世时,浙派篆刻影响尚有限,到嘉道年间浙派篆刻便迅速辐射全国。这其中有一 The representative of the Xiling eight families of Zhejiang carving, after several generations of Indian people went after successive efforts, became the Qing Dynasty Qianlong Qianlong hundred years to school. On the one hand it is the result of the influence of the academic trend of the Qing dynasty. At that time, the study of Han and Han dynasties, Jinshi Chonghan tablet, Seal Chinese and India heavy. The emphasis of the Zhepai ​​Yin and Han Dynasties on the patriarchal version of the Han and Wei languages ​​and the emphasis on Han and Wei dynasties entering India is the product of conforming to this trend of Qian-Jia Sinology. On the other hand, the development of Zhejiang school carving, but also depends on the specific historical opportunity. When Ding Jing, Huang Yi, Jiang Ren and Xi Gang were alive, the influence of seal carving in Zhejiang school was still limited. By the time of Kadao years, the carving of the Zhepai ​​school quickly radiated the whole country. One of these