一、审美内在逻辑的民主化自车尔尼雪夫斯基提出了“美是生活”的命题后,人类便开始了审美活动和现实生活关系的梳理。欧洲启蒙运动以来,艺术创作的主体始终是以“人”为主体,并置于中心地位。审美性与大众文化紧密相连,从最初的诗画到电影、电视,再到广告等,艺术的门类已经扩展到了人类生活的各个方面,审美活动也逐渐凸显 I. Democratization of the Aesthetic Internal Logic Since Chernyshevsky proposed the proposition “beauty is life,” human beings began to sort out the relationship between aesthetic activities and real life. Since the Enlightenment in Europe, the main body of artistic creation has always been centered on “people ”. Aesthetic and popular culture are closely linked, from the initial poetry and painting to movies, television, and then to advertising, etc., the art category has been extended to all aspects of human life, aesthetic activities are gradually highlighted