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前不久,《文艺理论与批评》,杂志发表了《(我们)风波始末》的文章,在文艺、戏剧界产生了强烈反响。许多同志认为,这篇文章的发表,将对文艺界、特别是对戏剧界拨乱反正、正本清源起到良好的作用。目前,戏剧界正在一手抓整顿,一手抓繁荣。所以,回顾过去,总结经验教训,以促进戏剧工作的健康发展,是非常必要的。因此,本刊编辑部与《文艺理论与批评》编辑部于11月间联合举行了座谈会。出席座谈会的有文艺、戏剧界人士赵寻、程代熙、郑伯农、李正忠、林涵表、麦辛、王郑生、华占昆、柳以真、霍大寿、魏敏、颜振奋、王育生等。这里,我们选登了几位同志的发言摘要。
Not long ago, “Literary Theory and Criticism” published an article entitled “”, which generated strong repercussions in the literature and art and theater circles. Many comrades believe that the publication of this article will play a good role in rectifying the literary and art circles, especially the theater circles, and bringing the original texts into full play. At present, the theater industry is working on one hand and prosperity on the other hand. Therefore, it is very necessary to review the past and sum up experiences and lessons so as to promote the healthy development of theater work. Therefore, our editorial department and the editorial department of “Literary Theory and Criticism” jointly held a symposium in November. Attending the forum were literary and theater people Zhao Xun, Cheng Daixi, Zheng Bongong, Li Zhengzhong, Lin Han table, Maxin, Wang Zhengsheng, Hua Zhankun, Liu Yizhen, Huo Shoushou, Wei Min, Yan Zhen Fen, Wang Yusheng and so on. Here, we have selected a summary of speeches made by several comrades.