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“符号学”理论自20世纪以来曾经在文论和艺术史研究中深受重视。被广泛运用于对艺术史的解读和阐释。一般认为“语词”与“形象”都是传递信息和意义的手段,也被认为是相互关联的不同符号系统,而美国芝加哥艺术学院的教授詹姆斯·埃尔金斯,一位艺术与视觉文化理论学者,却在他的学术研究中提出了“反符号学”理论,指出了符号学阐释方法的局限性,并与重视符号学的视觉文化研究学者展开了长期争论。。本期青年学者刘晋晋的文章介绍了埃尔金斯的学术研究成果,指出符号学和反符号学的视觉文化研究均给艺术史研究的发展带来了诸多启示。当代视觉文化理论的发展需要我们给予更多的重视。
“Semiology” theory has drawn great attention in the study of literary theory and art history since the 20th century. Is widely used in the interpretation of the history of art and interpretation. It is generally accepted that “words ” and “image ” are both means of transmitting information and meaning, and are also considered as interrelated different symbolic systems. However, James Elkins, a professor at the Art Institute of Chicago, And scholars of visual culture theory put forward the theory of “anti-semiotics” in his academic research, pointed out the limitation of semiotic study and long-term controversy with the visual culture scholars who pay attention to semiotics. . This issue of young scholar Liu Jinjin introduced Elkins’ s academic achievements and pointed out that the visual culture research of semiology and semioticism all brought enlightenment to the development of art history research. The development of contemporary visual culture theory needs us to pay more attention.