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赵孟頫(1254—1322)作为元代最卓著的书法家和画家之一,在中国美术史上产生了广泛深远的影响。元代历经了南宋书法审美趣味硗薄、风格技法简单这样一种低迷,需要书法本体的重振。赵孟頫意识到回归二王是必由之路,因此他把握了历史,在书法上掀起复古思潮,回归传统,继承了二王书风。他的书法创作以二王书法为典范,秉承了二王书风,对二王技法作出了归纳和继承,但是他对二王也多方面地存在着“误读”。这其中的成因兼有他个人和社会两方面的因素。
As one of the most prominent calligraphers and painters in the Yuan Dynasty, Zhao Mengfu (1254-1322) had a far-reaching and far-reaching influence in the history of Chinese fine arts. Yuan Dynasty experienced the aesthetic taste of the Southern Song Dynasty calligraphy thin, style and simple technique such a downturn, the need for the revival of calligraphy ontology. Zhao Mengfu realized that return to the second king is the only way, so he mastered the history, calligraphy set off a retro trend of thought, return to tradition, inherited the two kings style. His calligraphy creation takes the calligraphy of the two kings as the model, adhering to the calligraphy of the two kings and inducing and inheriting the techniques of the two kings. However, he also misreads the two kings in many aspects. The causes of this both his personal and social factors.