踏歌作为一种典型的原始歌舞在世界上很多民族都曾广泛存在过,至今仍有其残有或变异形态。踏歌同时作为我国上古时期既有的歌舞形式,其对后世众多的艺术形式产生了深远的影响,在我国的文化艺术史上占据着重要的一席之地。对踏歌现象的深入研究,会为我们探索氐羌族系众民族的音乐文化来源、文化传播脉络带来新的启示和线索。 As a typical primitive song and dance, Tachia has been widely existed in many ethnic groups in the world and still has its own remnant or variant form. At the same time, Thang song, as an existing form of song and dance in ancient China, has a profound impact on many later generations of art forms and occupies an important place in the history of culture and art of our country. The in-depth study of the phenomenon of Tachia will provide new inspiration and clues for us to explore the source of musical culture of the Qiang ethnic group and the cultural transmission context.