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不知从什么时候起,人们对散文的态度变得随便起来,后来就越来越随便。跨文体主要跨的是散文。往这个领域加点塞点都无关宏旨。但它又确是差不多人人都来写的文体,在这个以审美、消费、个体为话语特征的中产阶级时代,散文也还在多少带点“艺术”地适时点缀日常生活,充当一下茶余饭后的小甜点,与流行轻文化含糊作伴……这当然多少影响了散文作家的心态,写的时候已知道是小甜点、小花草,如何肯花大心思大力气来经营呢。散文理论家们越着急越要喊散文的出新,因为散文的理论连戏剧都不如,各种重振散文雄风的口号、命名层出不穷。文化
I do not know since when, people’s attitude towards prose becomes casual, then more and more casual. Across the main cross-style essay. There is nothing to do with adding stuff to this area. However, it is indeed a literary style written by almost all people. In this era of middle-class characterized by aesthetic, consumer and individual discourse, the essay is still embellishing the daily life in a timely manner with a bit of “art” After dinner, the dessert, with the popular light cultural vague companion ... ... of course, how much influenced the essayist’s mentality, when writing is known to be a small dessert, flowers, how willing to devote great efforts to manage it. The more eagerly the essayists are, the more they want to call out a new essay because the theory of essay is not as good as that of drama. All sorts of slogans revive the essay creations of prose and emerge in an endless stream. culture