在中国画的发展历史中,笔墨自身作为一种语言系统已趋于高度成熟,具有系统化、程式化和在自我内部完善发展的惯性。作为语言的笔墨不仅是表达画意的基础,也是写生的前提。这后一种表述是说,如果没有一种相对成熟的笔墨语言的训练,许多人会在面对自然写生时不知从何着手,这是传统中国画入门的第一步为什么不是写生而是临摹的主要原因。当然,用毛笔画素描也可以写生,工笔画也能写画家胸中意气,但我在这里 In the history of the development of Chinese painting, the pen and ink itself has become highly mature as a linguistic system, with the inertia of systematization, stylization and self-development. As the language of the pen and ink is not only the basis of expression, but also the premise of sketch. This latter formulation states that many people would not know where to start when they faced the natural sketch without the training of a relatively mature pen and ink language. This is why the first step in the introduction of traditional Chinese painting was not sketch but copy main reason. Of course, you can also sketch with a brush drawing, and a stroke can write a painter, but I’m here