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中国画的师承是传承中国画艺术的重要途径。研究中国画的师承与变异对当今中国画的传承,对中国画的教学、创作具有指导作用。马远受李唐影响,分析其师承及自我风格形成有重要意义。一、李唐的生平及艺术特点李唐(约1050-1130),字睎古,河阳三城(河南孟县)人,徽宗时为画院待诏。南渡时,他到临安(杭州)已经年高八十。初到南方,他的山水画未得时人重视,一度生活贫困,曾写诗:
Teacher training of Chinese painting is an important way to inherit the art of Chinese painting. Studying the inheritance of traditional Chinese painting by teachers and variations of Chinese painting has a guiding role in the teaching and creation of Chinese painting. Ma Yuan is influenced by Li Tang, it is of great significance to analyze the formation of his teacher’s and self’s style. First, Li Tang’s life and artistic characteristics Li Tang (about 1050-1130), the word 睎 ancient, three cities in Heyang (Meng County, Henan Province), Huizong when the imperial court to be Chao. When he crossed Nantu, he arrived in Lin’an (Hangzhou) at a height of 80. When he first arrived in the South, his landscape painting was not valued by people at one time. Once he lived in poverty and wrote poetry: