《柳毅传书》是戏目,说的是爱情的传奇故事。而本文“传书”者的“柳艺”主人翁,却不是风流惆傥的一介书生,他是个五指粗粗巴掌大大的造船厂的船坞工。“柳艺”——大海里的珊瑚礁的柳树雕刻艺术是也这个“传书”人名叫陈佛顺,今年正好不惑。1983年从部队复员被按排在吃香的国有造船厂。由于天天和海上来的渔民打交道,也就常常目睹被渔民们从海底里’“网”上来的千姿百态的“柳”和“树”。1986年,从制作加工成一支小巧玲珑的烟嘴开始,他情不自禁地“陷”进了柳与树编织的“情网”且一发而不可收,迄今已有16个春秋。由“白”向“黑”的嬗变佛顺的“处女艺”其实就是上个世纪六七十年代风靡一时的“泡沫雕”——在黛绿或黑蓝的底板上,胶合上由白色泡 “Liu Yi Biography” is the title, said the legend of love story. However, the owner of Liu Yi in this book is not a romantic scholar. He is a five-finger shipyard with a thick slap in the shipyard. “Liu Yi ” - Willow carving art of coral reefs in the sea is also this “Biography ” person named Chen Fushun this year just puzzled. The demobilization of troops from 1983 was arranged in the prestigious State-owned shipyard. Because every day with the fishermen from the sea to deal with, they often have seen the fishermen from the sea “network” come in a variety of “Liu” and “tree.” In 1986, from the manufacture and processing into a small and exquisite mouthpiece, he could not help but “trapped” into the Willow tree weaving “love network” and the first and unacceptable, so far has 16 Spring and Autumn. From “White” to “Black” Evolution Buddha’s “virginity” is actually the 1960s and 1970s rage “Bubble carving ” - in the green or black and blue floor On, glued by white bubble