论文部分内容阅读
《江苏画刊》91年第一期发表刘骁纯同志的《破坏即创造——人妖同体的现代艺术》(以下简称《破坏》),文章不长,所探讨的却是相当大的论题:“由西方艺术史率先揭示出来的人类艺术的现代规律”以及中国艺术怎样才能走出峡谷。文章所宣扬的“破坏即创造”这个口号意味着什么?我们是否应当沿着这个方向去“敞开胸襟,主动地迎接艺术的现代历程”?研读之余,记下几点想法,以和文章作者与同行们讨论。
In the first issue of “Jiangsu Pictorial” in 1991, Comrade Liu Xia-chun’s article entitled “Destruction, namely Modern Art of the Same Body,” (hereinafter referred to as “vandalism”) is not a long one. The discussion is quite a topic: Western art history first revealed the modern law of human art “and how Chinese art can get out of the gorge. What does the slogan of ”destroy or create“ mean by the article? Should we go ”open-minded and take the initiative to meet the modern course of art" in this direction? Discuss with colleagues.