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90年代是中国艺术宽阔发展的时期,也是中国画宽阔发展的时期。经过了80年代艺术观念的解放和艺术空气宽容的历程,90年代中国艺术出现了真正的多样化面貌,艺术家的思维前所未有的活跃,引动了风格、语言、形态的个性取向。在中国画领域,80年代初步进行的各类探索日渐成型,新的可能性也自由地生长起来,可以说,这种状况正在为20世纪中国艺术写下丰富多彩的最后篇章。活跃的中国画坛现状当然是喜人的,但同时也出现新的问题。在我看来,主要表现在两个方面,一是笔墨语言跌人新的程式,二是人文精神深度上的不足。这两方面的问题又是一
The 90s was a period of broad development of Chinese art and a period of broad development of Chinese painting. After the emancipation of artistic conception and tolerance of artistic air in the 1980s, the real diversification of Chinese art appeared in the 90s. The artist’s thinking was unprecedentedly active, which inspired the individuality of style, language and form. In the field of Chinese painting, the various explorations tentatively carried out in the 1980s are gradually taking shape and the new possibilities are also freely growing. It can be said that this situation is writing a colorful and colorful chapter for the 20th century Chinese art. The current status of the art scene in China is of course gratifying, but new problems also emerge. In my opinion, there are mainly two aspects. One is that the pen-language falls into a new program, and the other is the inadequate depth of humanism. The two issues are one again