在水边特邀栏目主持/海杰这组作品最初的名字叫《在水边》,后来不知为何又改成了《水的剧场》,作为观众,我觉得两个题目都很好,第一个题目指向临界状态,第二个深入到了戏剧性。开始看这组作品,让我想到某年在广州举行的景观摄影展后的一次小范围的座谈上,有人提出疑问,为什么非要跟拍摄对象离得远远的,把 At the waterfront invited column chair / Hai Jie this group of works initially called “at the water’s edge”, then I do not know why it changed into a “water theater”, as the audience, I think the two topics are good, first The subject points to the critical state, the second depth into the dramatic. When I started to look at this group of works, I was reminded of a small discussion after a landscape photography exhibition held in Guangzhou in a certain year. Some people asked questions why they should not be far away from the subject.